EDUC 5400 and 5410 combined reflection
Today I
spent time reading Challenges in
Assessing the Development of Writing Ability: Theories, Constructs and Methods by David H.
Slomp and within it, found a number of similarities to the focus of my
Assessment as Research assignment. I will try summarizing some of the article and look at how it pertains to my current work as well.
Slomp (2012) is looking at how to improve
assessment of writing ability and supports making it a process where the scope
of what is being assessed needs to shift “from assessing products (the
artifacts that point to writing ability) to tracing the trajectory of one’s
development over time and across contexts” (p. 82). Within this statement I found a similarity to
my own assessment as research in the sense that I want to shift the focus of
practicing for band classes away from the quantitative aspect to including the
full scope of what impact qualitative practicing may have on technical ability
and continued participation and enjoyment in instrumental classes.
In both cases, regardless of the construct, I
believe it will be difficult to shift the focus of teachers on the ground away
from the established practice of assessing products (writing artifacts and
practice minute journals) to one where students need to learn how they can
increase their own learning ability.
Metacognition development is central to both topics. As Slomp (2012) suggests reflection letters
play a large part in portfolio development as it gives students the opportunity
to explore and give evidence of development (p.88). Similarly, my plan to have students initially
reflect on what they are practicing, how they are practicing, and identify
their perceived strengths and weaknesses will begin to develop metacognitive
processes surrounding practicing.
If I ever am able to do such a study, and I am
beginning to think it would be very valuable to do as nearly every band teacher
I know struggles with the issue of student practicing, an extension for me
would be to look into whether increased metacognition regarding practice habits
and the (suspected) rise in technical ability and enjoyment of music would have
any transfer to other courses students are taking in school.
It has been interesting to me to see how, in less
than a week, by changing the focus of what I want to study from a philosophical
topic to one that affects students’ success, has opened up many possibilities
for future research as well. I suspect this
has occurred due to my knowledge and experience within the school music
setting, as well as my desire to see students enjoy and continue making music
long after they have been in my program.
In closing, however, I wish to pose a question that
may be more directed towards Richelle. The research proposal I would like to do,
as a result of completing the assessment-as-research assignment for David, will
be on the same topic. I had planned to
construct a much more meaningful practice assessment for my own use this coming
year, and it makes sense for me to do just that in these summer courses. But considering that the study would
incorporate the assessment of practice minutes combined with written
reflections, performance assessments for grades (because that’s the way we still
report), and reflections on how their enjoyment of band has changed as a result
of better practice habits, would it be qualitative research or mixed method due to the inclusion of numerical data?
Excellent question Keith about the research method - it would still me qualitative research as you are not intending to survey 60+ people with a 40 question survey to analyze beliefs about music education (just as an example) it just so happens that your qualitative study includes collecting artifacts that have numbers attached to them. Just having numbers does not make it a quantitative study. So you are still good.
ReplyDeleteThank you for that clarification, Richelle. That definitely makes it clearer to me. Qualitative or bust!
ReplyDelete